Contemporary Art Practice
My vision as an artist is to constantly challenge the self and the external world, creating a dialogue that highlights social construction. My works have interrogated the ideas of normativity that are attached to the domestic ideology, with visual representations exploring the queer possibilities that reside in the construction of safe spaces. This opened a whole host of areas where I let my explorations go. My work calls for laying a clear groundwork for my intention and position as a queer artist. It often encourages reflection on links between personal and systemic boundaries and heteronormative structures. How can one define and negotiate their engagement with these spaces? This reflection is especially important for queer people in India, who frequently negotiate diverse social and personal environments. This constant interaction of my self-referential points with the ones that exist outside me leaves my work with descript expressions from within to without. My genesis arose from an understanding of the rich storytelling possibilities buried in clothes, fabric and textiles. The nature of my material is integral to making. In my work, the fabric is treated as an art object in its own right. It subscribes to the need for a manifestation of these pieces into many. In the main, my practice comes out as the labour of love I am willing to undertake as my creative expression.
My work across the last year covers a journey from personal introspection to participation in larger societal structures and activities. Of the three projects in this portfolio, the first one explores the intricacies of queer relationships, with an emphasis on the very specific interior dynamics of attachment and touch. The investigation of these processes reflects the impetus for personal reflection outlined in the text. Expanding outward, the second work investigates familial dynamics and dysfunctionality in the larger context of societal systems. It goes beyond individual introspection to investigate how family ties interact with societal norms and expectations, which is consistent with the notion of moving from inside to ‘without’. Both initiatives encourage reflection on the complicated link between the person and the system, reflecting the text's description. The final project also reflects my self referential take on queer homes. This idea began within my personal narrative and exploration and soon extended to the community narrative. Throughout the course, my projects reflect a sense of how my personal extends to political.
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goldenclosetart03@gmail.com
@frootlassi